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🦋 Bowing patterns
Mixed results at the open mic today -- I played two songs, first one was very successful, the second was a mess. I felt pretty upset and brought down about the second one and as I was mulling it over I came to realize that having a solid bowing pattern is a really important part of knowing a song... The successful song, my "Road to Lisdoonvarna"/"Drowsy Maggie" medley, when I was practicing it this afternoon I hit on a bowing pattern that I could stick with and that really drives the song along -- the rhythmic motion of my arm complements the tapping of my foot. I have always had a pretty clear sense of where I'm going with this song but the bowing just wrapped everything up very nicely. With the other song contrariwise, "Irish Washerwoman"/"The Swallowtail Jig", while I know the song very well, I can never seem to decide just what I should be doing with my bow. And it shows -- sometimes I will practice the song and have it sound great, other times not so much. While I was mulling I got a little distracted from listening to people's performances, and my eyes were wandering among the shop's wares -- I was really taken by the minor variations in shape between every pair of violins on the shelf there -- in length, width, depth of body, proportion of the length given over to the "C" in the middle of the body, how concave the "C" is and how prominently its top and bottom jut out... One violin there has completely smooth sides, an hourglass figure, which I've never seen before. I fantasized about playing some of the more unusual specimens, and my attention slowly came back to the music.
posted evening of Thursday, March 4th, 2010
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With Tim Burton's "Alice" coming out tomorrow, Alvy Singer 