A memorandum-book does not, provided it is neatly written, appear confused to an illiterate person, or to the owner who understands it thoroughly, but to any other person able to read it appears to be inextricably confused.
This page renders best in Firefox (or Safari, or Chrome)
READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
🦋 Adapting Borges
Lönnrot: Hello, Zunz --
Zunz: Inspector Lönnrot?
L: Yeah -- I hope you don't mind me calling at this hour, but ah... I was just wondering if you managed to turn up anything on the ninth attribute of God yet.
Z: The ninth attribute of God?... Well yes, it's the immediate knowledge of everything that will exist, exists or has existed. ...Is everything all right, inspector?
I was interested to find out the other day that Death and the Compass had been adapted into a movie a few years ago, and that the movie is watchable online. It is adapted by Alex Cox, who directed Repo Man, and the (amazing) soundtrack is by Pray for Rain, a band which has apparently been around since the eighties.
Cox directs this piece masterfully -- I am in awe of his adaptation, which took off in a direction I was not expecting at all, but which had me believing by the end of the movie that Scharlach was speaking words Borges had written -- Cox' screenplay has drunk of the same well Borges was going to when he wrote this. The radical deviations from Borges' storyline only serve to make it a better movie, truer to the original. You can watch the movie online at dailymotion.com; I recommend it highly.
An interview with Cox about how he picked this story.
Jason Kottke posts 
