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Listen, this process called poetry is an exercise in imagining memory, and then having that memory snare and cherish imagination.

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🦋 Tommy, Kathy, and Ruth

Ellen and I watched Never Let Me Go this evening -- I am not sure quite what to say about it other than that I think it is an extremely faithful adaptation of the book: watching the movie felt very much like what I remember of the experience of reading the book. I would certainly recommend the movie on that basis alone; I thought it was a great, great book to read. But at the same time I'm not sure how necessary the movie is -- what it adds to the book. Some of the images were very powerful, such as Ruth hobbling on her walker the first time we see her after she has started donating, and Daniel screaming at the end of the film. And it was nice to have the "Never Let Me Go" song be an actual song that you could listen to. In general I liked the filming of the second half of the movie, when they were adults, much better than the portion set at Hailsham, which did not ring as true to me. The actors who played adult Tommy, Kathy, and Ruth all did a fantastic job.

(I'm just really puzzled by Manohla Dargis' review, the only review I've read of this film, by her claim that "your emotional response to the slow-creeping horror will most likely soon die, snuffed out by directorial choices that deaden a story already starved for oxygen." This just seems really off to me in a couple of different ways. * The direction seemed to me really well-done. * The movie is thoughtful and emotional, and the thoughtfulness does not kill the emotional response, quite the contrary. * You will find it confusing in places, how to respond emotionally, not be able to figure out quite what is going on until you think it through; this is an asset of the movie, one of the best things about it (and a way in which it is very successfully modeled after the book); Dargis seems to be complaining the movie is not manipulative enough, which just strikes me as a bizarre reaction.)

(...As James Sanford notes in his review, the transition from "young Kathy" to "adult Kathy" is excellent.)

posted evening of Saturday, October 16th, 2010
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A good line from James Sanford's review at CityPulse: "Never is a challenging picture on several levels, especially for those viewers that insist on having everything explicitly spelled out."

posted evening of October 17th, 2010 by Jeremy

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