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Ariel Dorfman
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🦋 Rediscovering the desert

I am inhabited by voices. Everybody I have talked to has a different version, an echo of the rumors that flowed over the years, each new story leading to yet another search...
Desert Memories is very much a memoir -- it is a book of Ariel Dorfman's memories and of his search for Chile's national memory. He is traveling through the Norte Grande looking for -- broadly -- a reconnection with Chile's history, with three catastrophic epochs of Chile's history: the subjugation of the indigenous population, the subjection and abuse of the migrants from north and south who worked the nitrate fields, and the years of Pinochet's dictatorship, years that he and his wife spent in exile; more specifically he is seeking to reconnect with his memories of his college friend Freddy Taberna, who served in Allende's government as an economic minister and was executed by Pinochet's army in the concentration camp in Pisagua -- whom Dorfman idolizes and whom the reader will come to idolize as well. His wife, Angélica Malinarich, is seeking memories of her own; she is trying to unearth some of the history of her father's side of the family, which traces its roots to Iquique and the nitrate industry. All of these quests tie together and interconnect -- learning the history of the nitrate fields entails learning about the indigenous inhabitants of the desert who were dispossessed, and learning about the concentration camps that were built on the sites of vacant salitreras during Pinochet's reign; looking for the traces of Taberna's boyhood in Iquique brings us into contact with the same people who can provide information about the Malinarich family. Looking at the site of Taberna's execution and at the mass grave uncovered in Pisagua which did not, ultimately, contain Taberna's body -- it has never been found -- brings us hard up against a flood of Dorfman's memories.

For this book really plays out in Dorfman's mind. The desert, the salitreras, the towns and cities serve primarily as a backdrop for Dorfman's quests and meditations on his nation's troubled history. The bleakness of the physical landscapes he is describing is often masked by the eloquence of his descriptions, of his memories of the dead and his attribution of such memories to the landscapes. And somehow (paradoxically among all this bleakness and death) this gives the book a subtly optimistic tone. A key factor in the couple's journey of discovery is that the dictadura has ended -- they can reconstruct Freddy's life, can speak of Freddy and of the many other Allendistas tortured and dead and disappeared because Pinochet is no longer in power, they are no longer in exile. The couple's love for each other, too, plays a major role in the story of their travels, as does the depth of friendship between them and the other people we meet as they make their way north. The landscapes Dorfman describes, the historical abuses he documents, are all part of the history of this country that he loves and is reclaiming after the years of repression and exile.

posted evening of Wednesday, February 9th, 2011
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