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I have enough trouble as it is in trying to say what I think I know.

Samuel Beckett


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🦋 Tescucho, Italy

I rode my bike down Muntaner to Diagonal. Parked it in front of the Dau al set gallery and rang Valerie's doorbell.

—When you come to the door, so you won't have to tell me who it is, ring three times in a row: ta, ta, ta. That way I'll know it's you. —that's what she had told me, the first day.

The door opened and I went upstairs. Valerie went over to the sofa with me as soon as I came in, she was moving her hands slowly in front of me, telling me her mother had been in the hospital since that afternoon, she feared the worst, that she had only come away from there to meet me, so that I would not come to an empty apartment and be scared.

She gave me a kiss on the cheek, paid me, and we left the apartment. Of course I didn't tell her any of what I'd been thinking about. I wasn't going to be seeing her anymore, surely; but I had left the mobile -- the lizards, the Gaudi mobile, on her sofa.

I have made a couple of revisions and have submitted the story to Words Without Borders. The biographical note I submitted:

Jeremy Osner is a computer programmer living in New Jersey. He came to Spanish translation late in life and has been learning the language as he learns the voices of the authors he has translated. Notable among these is Venezuelan Slavko Zupcic, a psychiatrist now living in Valencia, Spain, whose stories examine the gaps in understanding at the borders between people.

This story is from Mr. Zupcic's recently published collection, Médicos Taxistas.

posted evening of Sunday, January 15th, 2012
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