|
|
Monday
John and I have our first track playing on the radio! Tune in to Henry Musikar's always-great music rotation at KCUF and you will (every so often) hear our cover of Gillian Welch's "Revelator." Here is the track if you don't want to wait:
posted Monday afternoon: Respond
➳ More posts about Music
|  |
Tuesday, June 29th
John came over today; we played almost exclusively new songs, songs that we've played at most once or twice before, plus the two songs we'll be playing on Thursday at the open mic. Before he came over, I had been working on a tune that was in my head, without being able to figure out what it was -- turns out what I was thinking of was the chorus of "Frim Fram Sauce"; but not knowing that we just played through it together a couple of times, and came up with a bridge. Might be nice to learn the lyrics and try that one out. Other songs we played:
"Frim Fram Sauce" below the fold.
 The melody I was working on and trying to remember more fully this evening: "Frim Fram Sauce" as (masterfully) performed by Diana Krall:
↻...done
posted evening of June 29th: Respond
➳ More posts about Fiddling
|  |
Sunday, June 27th
were the de facto theme of tonight's jam with Bob, Janis and Greg. Two songs I had been thinking about this afternoon before I went over there, were They're Red Hot (by Robert Johnson but I'm not sure precisely whose version I am thinking about -- don't think the Dead ever played this song) and "Simple Gifts", a Shaker hymn. As it turned out we tried a couple of verses of "They're Red Hot" and decided to try it again after listening to it more, and Janis and me played a few verses of "Simple Gifts". The playlist:
- "The Deal" started us off with a Grateful Dead sound -- after that we tried "Simple Gifts" and entirely too-slow-if-one-does-not-have-an-organ performance of "Amazing Grace", then back to the Dead/New Riders to speed things up a little.
- "Panama Red"
- "Glendale Train"
- "Rollin' in my Sweet Baby's Arms"
- "Oh Lord, Won't You Buy Me a Mercedes-Benz" -- I sang this, but I do not really have the range needed.
- "They're Red Hot"
- "Summertime" -- this was great, slow with lots of solos...
- "Harder They Come" -- I never played this before, it was a lot of fun.
- A few false starts in a row, including "I Shall Be Released"*, "Red Rubber Ball", "My Baby Wrote me a Letter" and "Whiskey Bar"
- "C'est la Vie"
* It would be more than worthwhile to learn "Harder They Come" and "I Shall Be Released", so that we could jam from one into the other -- these two songs go together really nicely.
posted evening of June 27th: Respond
|  |
Monday, June 14th
John and I had a great practice session last night, recorded a bunch of practice takes of tunes -- including a new take of "The Ballad of Hollis Brown", which I have put into the Hitchcock-heavy mix in place of the messy old take of that song. (And the mix is no longer "random"... oh well...) Big news is, our band has a name now! We are Mountain Station, named after the train station near my house. (As John said, cool -- now all we need is a banjo player and a bass...) Here are some other cuts from the practice last night:
posted morning of June 14th: 2 responses
|  |
Monday, May 31st
Some of the nicest weather we've had all month, yesterday and today. John and I played music for a long time yesterday afternoon, sitting out in the sunny, mild backyard; then Andrea came over and we barbecued some chicken and hot dogs, and all in all it was just about the perfect spring/summer evening.
And the weekend continues! Happy Memorial Day, everyone -- Bob and Janis are coming over to jam for a while this afternoon.
posted morning of May 31st: Respond
➳ More posts about the Family Album
| |
Thursday, May 13th
Here is a song John and I recorded last night, a medley of "Drowsy Maggie" and "Dancing Barefoot" -- we've been working on this for a few weeks and played it last week at the Menzel Violins open mic. I'm pretty happy with the way we've integrated the vocal melody with the fiddle melody.
 Oh and here is another song I recorded recently that I'm pretty happy with:
This is a Leadbelly song also performed by Hazel Dickens (and many other artists), but the version I learned it from and which I always think of when I hear it, is my friends' band Other People's Children, Liam and Malcolm.
posted evening of May 13th: Respond
➳ More posts about Drowsy Maggie
|  |
Monday, April 26th
Alexandra Birnbaum of Maplewood Patch published a very nice photo of The Lost Souls from when we were playing in Maplewood's Open Market on Saturday (except she cropped Eric out of the picture, to the right). I think this must be from when we were playing "Old Joe Clark" at the beginning of the second set:
posted evening of April 26th: Respond
| |
Sunday, March 28th
John came over for a little while this afternoon; we started playing and with practically no warm-up time we were sounding really good -- earlier today I had been listening to Justin Townes Earle's version of If the River Was Whiskey -- it is very different from any other version I've heard, and easier to imagine myself singing -- so we tried that out, and came up with a fun blues tune. No new songs today -- the degree of comfort we both felt with the tunes in our songbook took me a bit by surprise, in almost every case we could just launch directly into the tune instead of noodling around trying to figure out how to begin it... Other highlights of the set list:
- The Old Home (Bill Monroe)
- Meet Me in the Morning (Dylan)
- One of These Days (Neil Young)
- Drowsy Maggie (traditional) -- We're slowing this way down. It's starting to sound like something that could actually have lyrics...
- Man of Constant Sorrow (Stanley Bros.) -- raised the key from Dm to Em (actually I think it's a modal key, but approximately "minor"), John is able to sing it a lot more clearly there and the transposition on fiddle was only a little bit tricky.
- Jockey Full of Bourbon (Tom Waits) -- we have not played this one in several weeks, it came together a lot more solidly than ever in the past.
We are going to play the (April Fools' Day) open mic at Menzel Violins on Thursday (Mo put my photo on the flier!), we're planning to play "Meet Me in the Morning" and "The Old Home".
posted afternoon of March 28th: Respond
➳ More posts about If the River was Whiskey
| |
Sunday, February 7th
This weekend I started working on a couple of new songs, some solo fiddle tunes and a blues tune I could play with John.
I thought I would explore the latter half of the alphabet in my music book a little; paging through the R's I found "The Road to Lisdoonvarna" -- well! I've been to Lisdoonvarna -- on a bike trip in western Ireland, with Ellen about 13 years ago -- and remember it fondly, and I have a shortage of jigs in my repertoire; so I thought I'd give it a try. Looked it up on YouTube to get an idea what it sounds like, and I found Ryan and Brennish Thompson playing it along with two other Dorian tunes:
I like all of these songs and have set myself the task of learning them -- they're coming along pretty well, I think. "Lisdoonvarna" and "Swallowtail" are jigs -- i.e. fast tunes in 6/8 time -- and "Drowsy Maggie" is a reel, in 4/4.
Another song I took a look at last night, which I think will be great to play with John, is "If the River Was Whiskey", Charlie Poole's version of "Hesitation Blues." Here are The Dough Rollers playing it: or you can listen to Poole at
lala.com. It's a great fiddle part, a lot of fun, and it'll sound great with John's guitar.
posted afternoon of February 7th: Respond
➳ More posts about Songs
| |
Saturday, February 6th
John and I played for a couple of hours this afternoon -- it seems to me like we're getting better, more in sync with each other, a good deal faster than I expected/hoped we would. Of the songbook tunes we played, every one was just right -- sounded like I hoped it would sound in front of an audience -- except for "California Stars", which was the first song we played and sounded like we had not warmed up yet. Two songs are ready to upgrade from "songs we're working on" to our songbook, namely "Preying Mantis" and "One of These Days"; and two songs which we played for the first time today -- "Pack up Your Sorrows," by Richard Fariña, and "On My Way Back to the Old Home," by Bill Monroe -- seemed like they could be included in the songbook straight off by virtue of how natural they were for us to play. We played "Shady Grove" for the second time, and I was happy and excited to realize that this is the source for the melody of my song Fair Elaine -- it has been nagging at me for a couple of years now to figure out where that came from.
posted afternoon of February 6th: 1 response
➳ More posts about Songbook
| Previous posts about Jamming with friends
Archives | |
|
Drop me a line! or, sign my Guestbook.
•
Check out Ellen's writing at Patch.com.
| |
↻
John Emerson, Jeremy on Beat (2 comments)