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Me and a frog (August 30, 2004)

READIN

Jeremy's journal

Let us not love with words or tongue but with actions and in truth.

I John 3:18


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Wednesday, August 6th, 2003

Here I Go

This is a fun song, by Syd Barrett. It is also quite easy to play on guitar, as I discovered this evening. I cannot guarantee the chords here are accurate but they sound alright. (Woops -- some of those chords were way off -- these should work a little better.)

 C                       G
This is a story bout a girl that I knew
C G
She didn't like my songs and that made me feel blue
B♭ A G
She said a big band is far better than you.

C Am
She don't rock and roll
G
She don't like it
C Am
She don't do the stroll
G
Well she don't do it right
C C7
And everything's wrong
F F6
And my patience is gone
C
When I woke one morning
G
And remembered this song.
C Am
G
Kinda catchy,
C Am
G
I hope
C C7
That she will talk to me now
F F6
And even allow me
C G
To hold her hand and forget that old man.
F C C7
I strolled around to her pad
F C G
Her light was off and that's bad
F C G
Her sister said that my girl was gone
F G
But come inside boy and play play play me a song.

I said yeah
Here I go
She's kinda cute don't you know
That after a while
Of seeing her smile
I knew we could make it
A-make it in style.

So now I've got, all I need
She and I are in love, we've agreed
She likes this song, and my, others too
So now you see my world is...
Because of this tune.

What a boon this tune,
I tell you soon we'll be
Lying in bed
Happily wed
And I won't think of that girl
What she said.

The key thing in picking this song is that nearly every time there is a G chord followed by a C chord, you need to end the measure of G by hammering on from an open G string to an A. That will establish the mood of the song -- for everything else you can pick and strum pretty loosely. Keep a nice walking pace, a little faster in the middle of the song.

posted evening of August 6th, 2003: Respond
➳ More posts about Guitar

Thursday, August 28th, 2003

Counting Song

This is Sylvia's first composition:

One little one goes in the room and turn, turn, turn
Two little ones go in the room and turn, turn, turn
Three little ones go in the room and turn, turn, turn
Four little ones go in the room and turn, turn, turn
Five little ones go in the room and turn, turn, turn
The melody is about what you'd expect it to be, sort of a take-off on "Ten little monkeys jumpin' on the bed".

posted evening of August 28th, 2003: Respond
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Sunday, December 7th, 2003

Father Christmas

The Crooked Timber thread on annoying Christmas songs inspired me to think of "Father Christmas" by the Kinks, one of very few non-annoying popular Christmas songs. (Thanks to Apostropher for telling me which song I was thinking about. Google supplied me with lyrics and I came up with some chords that seem about right. The rhythm is still giving me a little trouble. Here is Tim Harris' transcription, which seems a little better than mine, he plays it in G while I prefer C.

posted morning of December 7th, 2003: Respond

Monday, December 15th, 2003

Tell old Bill

A song was running through my head all day; tonight I figured out (roughly) how to play it. The song is "Tell old Bill", which I know in a performance by the Chad Mitchell Trio. Here are the chords:

G
Tell old Bill, when he gets home, this morning,
                                       D
Tell old Bill, when he gets home, this evening,
G
Tell old Bill, when he gets home,
   C          G        D
To leave them downtown women alone
     G             D           G
This morning, this evening, so soon.

The fingerpicking is kind of difficult to describe but basically you just play the melody. A lot of time is spent on open B, G string second fret, and open G; and in the alternate melody, a lot of time on E string third fret, open E, and B string third fret. A nice song.

Update: I'm playing it in D now, which is a lot easier on my voice, but I have yet to come up with as nice a picking pattern with the different shaped chords.

posted evening of December 15th, 2003: 2 responses

Tuesday, May 25th, 2004

More set work

Here is how you transition from "Palette" to "CAGWYW":

...G / B / C / /
G / D / Em / /
G / D / Em / C /
G / D / Em / F /
F / G7 / C / C
C / / F / /...

Trust me -- it sounds sweet. In other jammin' -- I finally figured out how to tie "Stagger Lee" and "C.C. Rider" together; just strum the last chord of "Stagger Lee", rest for a measure, and start right in. That sounds a lot better than the noodling around I had been trying to do.

"Rag Mama" is finally together. Never before have I really been satisfied with how I played that song; but tonight the speed was right, the beat was right, I had the vocals down. (3 out of four times that I played it tonight -- hope I hit lucky tomorrow night on stage.) I am not talking about the Band song called "Rag Mama Rag" -- this is a tune by Blind Boy Fuller (which I originally know via Jim Kweskin and the Jug Band):

    A7
I'm goin uptown with my hat in my hand
D
Lookin for de woman aint got no man
G7
Just as well be tryin to find a needle in the sand
C
Lookin for a woman aint got no man

Chorus:
Dwee-de-daw, dweedly-daw, Rag Mama,
Come on, baby, do that Rag

Well you get yourself a woman you best get two,
One for your buddy 'nother one for you,
Got me a wife an a sweetheart too,
Wife don't love me my sweetheart do

Took my woman down to Meeker St.,
Honey now, honey now, whatta'I see,
Saw my woman with a man, she was holdin' his hand
(that ain't right!) Aw,
Pistol in my pocket, black jack in my hand, says
I'm gonna get that so-and-so

Now, who'd'a thought my gal would treat me so,
Love another man at my back door
Mind, mama, what you sow,
Cause you gots to reap just what you sow

posted evening of May 25th, 2004: Respond

Monday, May 31st, 2004

I will not be able to play the open mike this Wednesday; but I have started working on a set for next week: "Richland Woman Blues", "Don't Think Twice, It's All Right", "No Expectations".

posted morning of May 31st, 2004: Respond

At the jam today, we finally agreed on chords for "City of New Orleans" -- this is a bit historic as every time we have played it before, we've gotten bogged down in arguing about the correct chords. Here it is:

Intro:
| G / / / | G / / / |

  G      /      D    /   |  G   / / / |
  Riding on the City of New Orleans
| Em       /       C      /     | G   /   /   /   |
  Illinois Central Monday morning rail
| G       /        D       /      | G   /   /   / |
  Fifteen cars and fifteen restless riders
       | Em     /    D           /      | G  / / / |
Three conductors and twenty-five sacks of mail.
      | Em        /           /    /     | 
    All along the south bound odyssey, 
            Bm          /      /     /   |
        the train pulls out of Kankakee
    | D      /         /      /       | A   / / / |
    Rolls along past houses farms and fields
    | Em       /          /      / | 
    Passing towns that have no name, 
        Bm      /        /         /   |
        freight yards full of old black men
      | D      /      D7     /    | G    / / / |
    And graveyards of rusted automobiles.
 
Chorus: 
| C      /      D7   /   |  G      / / / | 
  Good morning America, how are you? 
   | Em        /        C        /    |  G  / / D7 | 
Say, don't you know me, I'm your native son. 
      | G          /        D    /    | Em     Em7 A7 / | 
I'm the train they call the City of New Orleans 
      | B♭        C       D              /     | G / / / | 
I'll be gone five hundred miles when the day is done. 
 
Dealing card games with the old men in the club car 
Penny a point ain't noone keeping score 
Pass the paper bag that holds the bottle 
Feel the wheels rumbling 'neath the floor 
   And the sons of Pullman porters 
       and the sons of engineers 
   Ride their father's magic carpets made of steel 
   Mothers with their babes asleep, 
       rocking to the gentle beat 
   And the rhythm of the rails is all they feel. 
 
Nightime on the City of New Orleans 
Changing cars in Memphis Tennessee 
Half way home we'll be there by morning 
through the Mississippi darkness rolling down to the sea. 
   But all the towns and people seem 
       to fade into a bad dream 
   And the steel rail still ain't heard the news 
   The conductor sings his songs again, 
       the passengers will please refrain 
   This train's got the disappearing railroad blues.

Update: what I mean to say is, the above is some chords that Jim found via a Google search when he was looking for the lyrics; they agree almost completely with the chords which we all had agreed on, independently of looking at that transcription. (The main difference is, we had F instead of B-flat in the last line of the chorus -- I think the transcription is probably correct here, though F sounds pretty good too.) Ignore most of the 7's and 9's in the transcription, which are good flourishes to put in but not an essential part of the song's chord structure.

posted evening of May 31st, 2004: Respond

Wednesday, October 27th, 2004

Flowin' by

I started writing a song tonight (well technically last night I guess, the chord progression occurred to me last night and Ellen had an idea for some words tonight, which I fleshed out to a verse):

A           E7    F           A
What do you know, what do you care
A E7 F A
What do you know, what do you care
D D7 E F
Last time I called you you were talkin bout your father
E F D D7
And you wouldn't answer straight when I asked about the water
A
Flowin' by.

Needs more words and perhaps more sensible words but the rhythm of it is very nice.

Update: 2nd Verse

What do you know, what do you care
What do you know, what do you care
Last time I saw you you were thinkin bout tomorrow
And you wouldn't even listen when I asked about the sorrow
In your eye.

Update: Here is a bridge, and something like a 3rd Verse

Bridge:
D D7 C C9 F E A

What do you know, what do you care
What do you know, what do you care
I'm always askin you how come you can't forgive her
But you won't tell me nothin, always starin at the river
Flowin by.

posted evening of October 27th, 2004: Respond

Friday, November 30th, 2007

Composition

I was happy tonight to write an actual piece of music down -- like I am getting notation enough that I can write in it as well as read. Mom helped me out with understanding the rhythm. I will post a picture of it once I learn how to get notation in my computer. (I may even post a sound file of it if I can figure out how to get sound into my computer.) Sort of a happy syncopated fiddle tune -- I wrote about 4 measures but they are basis for this improvising tune that one can play for a long time without tiring of it.

posted evening of November 30th, 2007: Respond
➳ More posts about Fiddling

Saturday, December first, 2007

A simple tune

I figured out how to use the audio recorder on my computer; so here is the melody I came up with last night. Things it would benefit from: rhythm instrument like guitar/piano/drums; a bridge; lyrics; harmony. Still I think it is pretty nice.

posted afternoon of December first, 2007: 2 responses

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