The READIN Family Album
(March 2005)

READIN

Jeremy's journal

Improvement makes straight roads; but the crooked roads without improvement are roads of genius.

— William Blake


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Friday, January 6th, 2012

🦋 Notify my next of kin


Found (with some help from Mr. Huddell and Mr. Berman) some fantastic versions of two songs from The Basement Tapes.
  • Joan Baez, "You Ain't Goin Nowhere"
  • The Byrds, "You Ain't Goin Nowhere"
  • The Byrds, "This Wheel's on Fire"
  • Dylan and the Band, "This Wheel's on Fire"
  • Dylan and the Band, "You Ain't Goin Nowhere"
  • The Rave-Ups, "You Ain't Goin Nowhere"
  • Robyn Hitchcock and the Venus 3, "Olé Tarantula"
  • Robyn Hitchcock, "You Ain't Goin Nowhere"
  • Julie Driscoll, "This Wheel's on Fire"
  • Julie Driscoll, "The Season of the Witch"
I compiled a video playlist of most of these songs on YouTube -- particularly recommend checking out the almost hallucinatory quality of the two The Byrds versions and the really striking fan video for the Rave-Ups' version. And the Venus 3 number, while it strays a bit from the theme of the playlist, fits in quite nicely and fits into a broader playlist theme of "Songs I would wish to cover". (Plus some bonus tracks added, if you listen to the end...)

posted evening of January 6th, 2012: Respond
➳ More posts about The Basement Tapes

Tuesday, October 25th, 2011

🦋 It's just Norwegian speed

At Norway's Cafe Mono, Robyn Hitchcock reminisces on his first visit to Norway, on tour with the Egyptians in 1982, and the years since then. Morris Windsor posts a cover of "The End", live in Oslo in '82, the "culmination of one of the weirdest tours ever" -- "The closing remarks contain the seeds of 2009's Goodnight Oslo."

posted evening of October 25th, 2011: Respond
➳ More posts about Goodnight Oslo

Sunday, March 20th, 2011

🦋 Pushing Forty

Happy Birthday to Rex Broome! Broome is the singer and guitarist for Skates & Rays. On his 39th birthday last year he covered Velvet Underground's "I'm Waiting for the Man"; today he covers his own tune "Pushing Forty". In between he has recorded one cover version for every day of his fortieth year of life, and/or leaned on friends to contribute their own cover versions. I'm impressed, and gratified to have played my own small part.

posted morning of March 20th, 2011: Respond
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Sunday, February 20th, 2011

🦋 Mountain House

Thanks to Rex Broome and to neighbor Dan Rosen for introducing me to House. My recording with Dan of Saint Etienne's "Stoned, to say the least" will appear on Rex's 39-40 Covers project tomorrow. A lot of fun playing and recording this, it seems like almost the perfect music for me -- repetitive improvisation over a fixed beat is about my favorite violin activity...

What a fortuitous coincidence, to have connected with Dan at the same time Rex asked me to cover Saint Etienne! I met Dan last December, at Woody and Lisa's Solistice party; and two weeks ago we started taking the same train in to the city for work, and talking about music as we ride in. So it seemed like a natural thing to ask Dan for help with this cover; he came through in a big way!

(Update: Post #2500 for this humble blog! Halfway there, woo-hoo!)

posted evening of February 20th, 2011: Respond
➳ More posts about Fiddling

Saturday, January 29th, 2011

🦋 January is a good month for mixes.

I am greatly enjoying New Year's mixes from Steve of Hot Rox Avec Lying Sweet Talk and from Tim W. of The Great Whatsit. Steve's is a mix of his favorite cover versions of the past few years. Mostly new listening for me, and most of the tunes are ones I'm familiar with. I always find it exciting to hear new takes on songs I love. And Tim's is a list of new songs from this year, almost none of which I've heard before or even heard of.

Here is my contribution to the disk-jockeying fray:

    Los once: Jeremy's 2011 Mix

  1. "Hanohano Hawai'i" -- Sol Ho'opi'i's Novelty Trio
  2. "I Wouldn't Mind Dying" -- The Carter Family
  3. "I Love You Because" -- Ernie Tubb
  4. "You Met Your Match" -- Stevie Wonder
  5. "I Watch the Cars" -- Robyn Hitchcock
  6. "Starvation Blues" -- Big Bill Broonzy
  7. "Movin Day" -- The Holy Modal Rounders
  8. "Little Birdie" -- The Stanley Bros.
  9. "Ain't Misbehavin" -- Stéphane Grappelli
  10. "Belly Full of Arms and Legs" -- Robyn Hitchcock
  11. "Sikiliza" -- The Lafayette Afro Band
  12. "Pretty Polly" -- B.F. Shelton
  13. "Rock of Ages" -- Christian Kiefer
  14. "Sing You Sinners" -- Fletcher Henderson
  15. "Burning Up" -- Mutiny
  16. "Talking Bear Mountain Picnic Massacre Blues" -- Bob Dylan
  17. "I Know You Rider" -- The Grateful Dead
  18. "Famous Blue Raincoat" -- Leonard Cohen
  19. "Kanes Blues" -- The Kanek Hawai'ians
These are all songs I connect with discovering a new musical interest -- some quite recently, some in memory over the years as far back as high school. I hope everyone has a good, eventful year in 2011, gets to enjoy plenty of newly discovered and long-nurtured interests.

I haven't quite ironed out all the tagging issues with the mp3s of these songs. I will post a link in comments later on when I get the tape together.

posted afternoon of January 29th, 2011: 1 response
➳ More posts about Mix tapes

Wednesday, November 10th, 2010

🦋 Too Many Teardrops

Oh my God what a fantastic performance. Here are the Texas Tornados covering ? and the Mysterians:

Thanks for the link, Aaron!

posted evening of November 10th, 2010: Respond

Saturday, June 26th, 2010

🦋 Crossover

In the interest of drawing connections between unrelated texts... This passage from "Unworthy":

La imagen que tenemos de la ciudad siempre es algo acrónica. El café ha degenerado en bar; el zaguán que nos dejaba entrever los patios y la parra es ahora un borroso corredor con un ascensor en el fondo. The image which one holds of one's city is always a little anacronistic. This café has deteriorated into a bar; that hallway, the one through which we could make out the patio and the garden, is now a faded corridor with an elevator at the far end.
deserves to be read in conjunction with this song:
(and well also, the song deserves to be listened to in conjunction with that passage -- they magnify one another, is what I mean.)

Another useful point of reference for this passage, and for this song, is the beginning of "The aleph":

La candente mañana de febrero en que Beatriz Viterbo murió ..., noté que las carteleras de fierro de la Plaza Constitución habían renovado no sé qué aviso de cigarrillos rubios; el hecho me dolió, pues comprendí que el incesante y vasto universo ya se apartaba de ella y que ese cambio era el primero de una serie infinita. On the hot February morning when Beatriz Viterbo died ..., I noticed that the iron billboards in Plaza Constitución had been cleared of their advertisement for blonde cigarettes (or whatever it had been)... The matter caused me some pain, when I understood that the vast, incessant universe was detaching itself from her memory; this change would be the first in an infinite series.

posted afternoon of June 26th, 2010: Respond
➳ More posts about Brodie's Report

Sunday, June 13th, 2010

🦋 Redneck

The Apostropher's recent Holler mix tape includes Ray Wylie Hubbard's cover of "Choctaw Bingo" -- this is maybe the most affecting song on the tape, the strongest; it is a violent song, feels like getting punched in the gut.

Another of his tapes below the fold.

posted afternoon of June 13th, 2010: 4 responses

Friday, January 22nd, 2010

🦋 Mackie Messer

Ellen and I watched Quiz Show tonight, and among other things it made me want to learn the song "Mack the Knife" which plays (Sinatra's version) over its credits. Here are some versions:

posted evening of January 22nd, 2010: Respond
➳ More posts about Mack the Knife

Sunday, January 17th, 2010

🦋 If you want to lose your mind

John and I played this 80-year-old song yesterday -- I thought I would link to a couple of source versions.

Dr. Hook and the Medicine Show (1977) rock right out. This might be my favorite version of the song, certainly the first one I think of when I think of this song. (Even though the version I first heard, I'm pretty sure, is that of The Rooftop Singers (1963) -- which I now find comparatively bland.) The original is Gus Cannon's Jug Stompers (1929) -- fantastically good, maybe more inventive play with the lyrics than in any of the covers I've heard. And the version that brought this song back into my conscious mind recently, off of a mix tape my brother made for me, is by Corey Harris and Cassie Taylor (2008), off of the record Recapturing the Banjo.

And suddenly the scales fall from my eyes! Practicing the tune this morning I realize it's another variation on the melody from "They're Red Hot!"

posted evening of January 17th, 2010: Respond
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