INVITATION TO A BEHEADING

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And so we are nearing the end. The right-hand, still untasted part of the novel, which, during our delectable reading, we would lightly feel, mechanically testing whether there were still plenty left (and our fingers were always gladdened by the placid, faithful thickness) has suddenly, for no reason at all, become quite meager: a few minutes of quick reading, already downhill, and -- O horrible! The heap of cherries, whose mass had seemed to us of such a ruddy and glossy black, had suddenly become discrete drupes: the one over there with the scar is a little rotten, and this one has shriveled and dired up around ts stone (and the very last one is inevitably hard and unripe) O horrible!

Invitation to a Beheading p. 12

Such a wonderful image! Note how unexpected it is to see the words, at the top of the second paragraph in a fairly long (>200 pages) novel, "And so we are nearing the end." Note too, how solid both of the metaphors are -- I at least could recognize immediately the sensation of testing with my index finger the remaining thickness of unread pages; and how less appealing is a plate with a scattered few cherries, clearly picked over by a previous snacker, than a heaping plate of choice fruit. (I can see the plates!)