The READIN Family Album
Me and Sylvia (April 4, 2002)

READIN

Jeremy's journal

Anything that's worth doing is worth feeling guilty about.

R. Hitchcock


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Monday, March 30th, 2020

🦋 Lady Waters & the Hooded One

Will you dance?

posted morning of March 30th, 2020: Respond
➳ More posts about Music

Sunday, March 29th, 2020

🦋 Now

here, now
here, now
here, now
here, now
here, now
here

posted afternoon of March 29th, 2020: Respond
➳ More posts about Poetry

Reread. Go back. The letters,
Static, swerve, collide;
Shatter.
Your mental notes,
Your scribbled annotations
Useless now, incomprehensible;
Crystal edifice of abstraction brought low.

posted morning of March 29th, 2020: Respond
➳ More posts about Rereading

Saturday, March 21st, 2020

🦋 Herriman on the pandemic

posted morning of March 21st, 2020: Respond

Friday, March 13th, 2020

🦋 Years

YEARS from Bartholomäus Traubeck on Vimeo.

posted evening of March 13th, 2020: Respond

Tuesday, March third, 2020

🦋 worn away

I am not making much headway with understanding the rest of the poem, but this image from Ernesto Mejía Sánchez' "Long Play/Boleros" leaps off the page at me:

TU ROSTRO se borra como el de la moneda en las yemas
    del avaro

YOUR FEATURES worn away like those of the face of a coin
     in a miser's fist

posted evening of March third, 2020: Respond
➳ More posts about Readings

Sunday, February 9th, 2020

🦋 Broad Street Sunset

2017-01-25_04-58-00
a demo recording of my latest song--

posted afternoon of February 9th, 2020: Respond
➳ More posts about Pretty Pictures

Saturday, February first, 2020

🦋 viola d'ottone: soundboard under tension

In my post below on dowel vs. bolts I've been working through a couple of different designs for the brass viola. A dowel will absorb most of the tension of the strings, so that the tension on the soundboard is primarily from the bridge pressing down towards the dowel. If instead of a through dowel, I use blocks and tenons at either side of the pan, then it seems clear there will be a lot more tension on the pan, and in different directions. The question in my mind is whether this extra tension will enhance the sound or detract from it.

My guess is that the extra tension across the soundboard will be a good thing, is why I'm leaning toward the latter solution. You need tension for the soundboard to resonate; so why not add more tension? As I visualize the instrument strung up, the strings would tend to pull the endpin upwards, which would in turn pull the tail block against the pan, this would have the effect of making the pan quite taut along its length. If the instrument were constructed with a dowel. the pan would be under tension along its center line from the bridge to the neck and tail, but the sides of the pan would be less responsive.

posted evening of February first, 2020: Respond
➳ More posts about Luthery

Friday, January 31st, 2020

🦋 Oooh

posted afternoon of January 31st, 2020: 1 response

Wednesday, January 29th, 2020

🦋 The Spilhaus Projection

Check it out, from the pov of a piscene cartographer: an oceanic pangæa. The work of Athelstan Frederick Spilhaus:

posted evening of January 29th, 2020: Respond

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