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READIN

Jeremy's journal

Finding a way to talk about the reading experience is, I've realised, the greatest pleasure of writing; where it ends is of no importance.

Stephen Mitchelmore


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🦋 Meter

Reading the Inferno today and I was having a little trouble with figuring out what it should sound like. So I took the obvious path and started reading aloud. And what a revelation! I think I am going to read this whole book aloud -- the sound is lovely and I'm understanding it better. I think I "get" terza rima now, the way it leads you through the canto; Pinsky's introduction was helpful in this regard, but what really made it concrete was to listen to the reading.

My sense of reading poetry aloud has been heavily influenced by Heany's reading (or "declamation"?) of Beowulf, which I've been listening to a lot in the last couple of weeks.

Try reading this aloud:

"My son," said the gentle master, "here are joined
The souls of all who die in the wrath of God,
From every country, all of them eager to find

Their way across the water -- for the goad
Of Divine Justice spurs them so, their fear
Is transmuted to desire. Souls who are good

Never pass this way; therefore, if you hear
Charon complaining at your presence, consider
What that means." Then, the earth of that grim shore

Began to shake: so violently, I shudder
And sweat recalling it now. A wind burst up
From the tear-soaked ground to erupt red light and batter

My senses -- and so I fell, as though seized by sleep.

-- See how the meter leads you on through the passage. I'm finding it impossible to stop reading in the middle of a canto.

posted evening of Monday, May 12th, 2008
➳ More posts about Beowulf
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