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(April 19, 2002)

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Some books are to be tasted, others to be swallowed, and some few to be chewed and digested: that is, some books are to be read only in parts, others to be read, but not curiously, and some few to be read wholly, and with diligence and attention.

— Sir Francis Bacon


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🦋 A Scene from WALL-E: with spoiler warning

Movie-goers who worry about spoilers might want to skip this entry, at least until after they have seen WALL-E. Discussion below the fold.

The scene that seems to me like the thematic core of the movie, is the one where WALL-E and EVE (who I thought throughout the movie was named EVA, but apparently not) are trying to get the seedling into the ship's verification unit; the ship's autopilot is in revolt and tipping the deck over so that all the helpless humans roll off to one side, and the plant with them. But EVE's passion about accomplishing her directive is enough to inspire the human passengers to reclaim their humanity, struggle to their feet, get the plant to her.

This just seems really well-done to me. The (intensely anthropomorphic) robot is leading the humans, but she is leading them towards humanity. That was what I took away from it anyway.

Unrelatedly, you know what movie this reminded me of, æsthetically anyway? Brazil, is what. Very strongly -- the cross between science-fiction and old show tunes was enough to get me nearly there, but also I picked up a Terry Gilliam type of influence in the artist's eye. Also I guess there is a little bit of thematic crossover, though I don't think WALL-E is nearly as subversive as Brazil.

posted morning of Saturday, June 28th, 2008
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