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Ce n'est pas avec des idées qu'on fait des vers, c'est avec des mots.

— Stéphane Mallarmé


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🦋 Reasons

Between this reason and the truth that he would never announce himself, however, lay a gap wider than the distance separating him from the firelight. Always, when he tried to explain himself to himself, there remained a gap, a hole, a darkness before which his understanding baulked, into which it was useless to pour words. The words were eaten up, the gap remained. His was always a story with a hole in it: a wrong story, always wrong.
What a startlingly elegant description of bad faith!

One thing that is puzzling me a bit about this novel (halfway through) is the complete absense of race. I would have thought race and racial tension would be important factors in South Africa of the mid-to-late 20th Century; but so far there has been absolutely no mention of it, everything is class tension among characters whose race is not mentioned but I don't see how it could be other than white. I'm not quite sure what to make of this; one idea is that apartheid means the white characters have no interaction with blacks -- though my understanding was that blacks were transported from the "homelands" into white areas to work -- another possibility is that I'm reading this wrong, and the setting is not historical South Africa but a hypothetical, allegorical location.

posted evening of Saturday, June 20th, 2009
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