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Me and Sylvia on the canal in Qibao (April 2011)

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A willingness to let things wash over you can be the difference between sublimity and seasickness.

Garth Risk Hallberg


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Check out this passage from Serrano's Antigua vida mía -- it gives the pleasure of switching back between Spanish and English, back and forth between narrator's voice and poet's, several times over.

La página era «Poem of Women», de Adrienne Rich. Ay, Violeta, no fue mi deseo afanarme en el desencuentro. No, créeme que no elegí ser esa testigo desatenta de lo que te estaba pasando.

Puedo reproducir lo subrayado, me lo sé de memoria:

And all the limbs of a woman plead for the ache of birth.
And women come down to lie like sick sheep
by the wells – to heal their bodies,
their faces blackened with year-long thirst for a child’s cry
(...)
and pregnant women approach the white tables of
the hospital with quiet steps
and smile at the unborn child
and perhaps at death*.

Violeta, dime que tu sonrisa fue para el niño no­naci­do, pero no me lo digas si fue para la muerte.


* Y el cuerpo entero de la mujer suplica por el dolor del parto. / Y entonces bajan ellas, las mujeres, cual ovejas heridas, / buscando la sanación de sus cuerpos –junto a los pozos–, / sus rostros ensombrecidos por la larga y sedienta espera del llanto de un recién nacido. / (...) y las mujeres encinta se acercan a las blancas camillas del hospital / con pasos silenciosos / y le sonríen al niño aún no nacido / y le sonríen, acaso, a la muerte.

...And very strange, Google is not showing me any reference to this poem which is not quoting it from this book -- is this a real poem by non-fictional Adrienne Rich, or a part of the fiction?

posted evening of Wednesday, June 6th, 2012
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