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The gate is wide open, the madmen escape.

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🦋 Every Love Story is a Ghost Story

It was a lot of fun to hear D.T. Max reading from his new biography of DFW at Words Bookstore in Maplewood. I am looking forward to reading it; and in particular I am taken with the title. Max says it is an expression Wallace made use of repeatedly in letters throughout his career, and generally without context. It rings true for me in ways I haven't quite been able to sort out yet. (Max said he was surprised, at each stage of the editorial process, at being able to keep the title he had chosen.)

For example this statement seems like it would make a really good epigraph (mutatis mutandis) for Rushdie's The Ground Beneath Her Feet -- a book I finished reading this weekend and which I'm recommending wholeheartedly, by the by -- I wonder if it is some sort of postmodern commonplace. This association of love with absence. Both Rushdie and Wallace I think are very concerned with the irreality of the world about which they are trying to write realistically; and maybe this in a way implies that loving someone (as Maria loves Ormus, as otherworldly Rai loves otherworldly Vina) is a way of escaping into their reality from your own irreality, of becoming a ghost. (And this in turn can be seen as a metaphor for the process of reading the novel and identifying with its characters, coming full circle.)

The irritation I felt at Rai's voice throughout the first part of the novel faded about halfway through (indeed about the time I figured out what was making me feel irritated, I started to feel more sympathy for him) -- and in the last 150 pages or so I really started loving his voice (which changed a bit at that point in the story -- he grew in a way that brought more sincerity into his voice).

posted afternoon of Tuesday, October 23rd, 2012
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