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Me and Sylvia, smiling for the camera (August 2005)

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In Solomon's mind, not wanting and not knowing form part of a much larger question about the world in which he finds himself.

José Saramago


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I am warming up to The Autograph Man. Thinking about what I meant by saying it was not serious, probably it was that I suspected there were not going to be any layers of meaning under the playful narration -- that's probably why I compared it to The Fan Man, which I remember enjoying a lot but not seeing any meaning in its play.

But now I am seeing those layers of meaning that I thought would not be there. So. Don't judge a book by its first few chapters -- I have read through Part I now and am just starting Part II -- and it seems to me the core of Part I was a non-verbal debate among Alex-Li, Adam, Mark, and Joseph over what the experience of being Jewish is. What hipped me to this was reading a post of Teofilo's that I happened on today, which describes a take on the Jewish experience that I think is very close to Mark's. Compare Teo's post to this passage:

...no matter what Mountjoy thought, he had not become a rabbi to please his father. In his own small way he had wanted to carry things forward. Like the continuity man on a film set. At the time, this was an analogy that had not satisfied Adam, who thought the call to the rabbinate should be entirely pure, a discussion a man has with God. But God had never spoken to Rubinfine, really. Rubinfine was simply, and honestly, a fan of the people he had come from.... This was the only way he had ever found to show it, that affection.

I am seeing now what this book has in common with White Teeth, which is that both books are about communities, the characters are seen primarily as members of their community. I liked that about White Teeth and it is coming in well here too.

posted evening of Thursday, September 21st, 2006
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