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Fiddling
I've played violin for a bit more than 30 years -- except that for about 20 of them, I wasn't playing violin. Suzuki lessons from about 5 years old to about 14 years old, quit in disgust, took it back up when I was 35. I have a lot of fun with it nowadays.
If you're looking for abc notation of fiddle tunes, be sure to check out The Fiddler's Companion.
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
Tomorrow afternoon and evening, Bob and I are going out to Scotch Plains to jam. A lot of people I haven't met, and some I know; I think Doug will be there, I haven't played with him in a few years, and also the Marlow clan. Looking forward to it! The e-mail said they would be set up to record the jam, so I may get some archives out of it. (I should set up and check my pickup this evening, I haven't played electric violin since December or so.)
So I've had this song on my mind for a couple of days. I wish I knew its title so that I could find the B part (and get the second half of the A part a little better in mind as well). I believe it is Irish or possibly and American Civil War-era tune. If you have any idea what song I'm thinking of, let me know. It goes a little like this:
Aha! OTJunky at the Fiddle Hangout supplies the name of the tune: it is (a poorly remembered) "Bonaparte Crossing the Rhine." Here are some folks playing it for reals on YouTube:
Take 2! This one is, I dare say, up to tempo and generally in time. I figured out a neat riff to start it out with; but got a little bit lost at the end. Still, I manage to keep straight when I'm playing the A or the B part, and have the correct number of repeats. Not bad!
Note: to hear a real fiddler performing this (with fretless banjo!), check out Twelvefret's recording of it at fiddlehangout.com.
I worked up a fiddle part for "Rollin' in my Sweet Baby's Arms" to play at the jam tonight, and I must say it was pretty successful. I kept it fairly simple, everybody stayed with the beat and it sounded nice -- and my singing was as good as it ever gets. A couple of people complimented me on it later on.
The jam leader tonight was Barbara Lamb -- it was really great to get a chance to hear her music. She did some far out stuff like setting up rhythm tracks by overdubbing lots of different clapping patterns and rattles just before she started playing, and playing duets with herself through a delay box. She's playing a house concert in Rockaway on Saturday, I hope we can make it out there.
I've been messing around further with Napoleon Crossing the Rhine; here it is with "Bonaparte's Retreat" added as a chorus. Big jam at Menzel Violins this afternoon, maybe I will lead this tune.
I realized a difference between my guitar playing and my fiddling while I was practicing today -- I approach the guitar from a framework of the music's structure, where I just go with the feel of it on violin. I don't have much clue of what measure I'm playing or often even where the beat is, when I'm playing melody on violin. This is a major shortcoming; and yet I believe I am a much better violinist than I am a guitarist. I am the same with singing -- I think I can sing pretty well, but I don't understand what is happening with the structure of the melody I'm singing. Something to work on -- I would like to be able to understand (and to feel) the chord changes going on under the melody.
posted evening of October 22nd, 2008: Respond ➳ More posts about Guitar
So I've been practicing this folk tune called "Devil's Dream" -- I happened on it in my book of tunes, and recognized it pretty well so I thought I'd try learning it. It's starting to sound alright -- not 100% yet, and not up to speed, but it's getting to where it sounds like a song. And then today, I was sort of noodling around with the idea of it and started playing a different song, in triple time, which I'm calling "Devil's Drunk" for now -- it is recognizably based on a similar tune idea, but it sounds drunk. Here is a rough recording of the two pieces:
It is time to break down and buy a clip-on tuner for my violin. At the show last night I used Ron's tuner (plug-in, not clip-on; but that was alright since I had my pick-up attached for playing with their electric band); and it just made it a lot easier going in, to be confident my tuning is correct and the same as everyone else. I have always associated a sort of machismo value with being able to tune by ear; but here are the problems with that*: it takes a lot longer; my strings end up in tune relative to each other but there is no guarantee they are going to line up precisely with the rest of the band; and it is not always feasible in a noisy gig situation. In gigs I usually end up borrowing somebody else's tuner; things would be simpler if I had one of my own.
I was getting frustrated last night about not being a member of the band -- if my musical activities consist of sitting in with other people's gigs, I do not ever get to be an integral piece of the sound -- it's more like I'm adding in on top of their sound, and I'm playing pieces I have not practiced with them so it takes me until the middle of the song to actually feel comfortable and believe in what I'm playing. I enjoy the times I play with Bob and Janis and Greg much more; but that does not seem like something we could extrapolate to performing, the privacy of the setting is a pretty key part of the music.
* (Leaving aside the obvious problem of its ludicrosity.)
Here is a melody that I've been working on a bit yesterday and today. I'm not sure what kind of a song it is -- at first I thought I might be playing a minuet, and perhaps it is that -- some kind of simple dance.
While recording this, I finally got my procedure together for setting up and breaking down my recording equipment. Not quite satisfied with the performance, whatever -- this is a work in progress...
Update: a refinement -- I've changed the B part substantially. have not recorded this yet:
Dr. Healy links to a colleague's review of Nixonland: Lane Kentworthy sees America splitting into more than Perlstein's two camps. (Interesting discussion in comments to Kieran's post.)
and buy a clip-on tuner for my violin. At the show last night I used Ron's tuner (plug-in, not clip-on; but that was alright since I had my pick-up attached for playing with their electric band); and it just made it a lot easier going in, to be confident my tuning is correct and the same as everyone else. I have always associated a sort of machismo value with being able to tune by ear; but here are the problems with that*: it takes a lot longer; my strings end up in tune relative to each other but there is no guarantee they are going to line up precisely with the rest of the band; and it is not always feasible in a noisy gig situation. In gigs I usually end up borrowing somebody else's tuner; things would be simpler if I had one of my own.
