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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
(another poem written to a prompt from La universidad desconocida...)
PoesÃa que tal vez abogue
por mi sombra
en dÃas venideros
cuando yo sólo sea un nombre
y no el hombre
que con los bolsillas vacillos vagabundeó
y trabajó
en los mataderos del viejo y
del nuevo continente
Mis sueños no tan fáciles
que tengan como antecedente
alguna trauma desconocida
alguna pesadilla anterior
los dejo y caen
no soportados de ninguna
referencia exterior, no enlentecidos
abajo de mi paracaidas, y
¿a dónde? y ¿cuándo
pararán, cuándo van a poder
descansar?
For years now I've been hearing of Baby Gramps, every now and then someone would tell me I ought to check his music out. Shockingly, reprehensibly, I ignored this great advice every time it was offered me, and I did not hear a note of his music until last weekend, when I went down to Bordentown to hear Peter Stampfel performing, with Baby Gramps on the same bill.
Turns out they have released a record together, Outertainment, and it blew my mind. There are traditional tunes freaked out beyond all recognition, some fantastic covers (Gramps singing "Surfin Bird" is truly amazing), originals sarcastic, whimsical, sincere. Every song will draw you in and through it.
posted evening of September 6th, 2012: Respond ➳ More posts about The Blues
Hm... merging a couple of the themes I've been writing about here lately. Writing/revising poetry, writing and thinking in a language not my own, the different voices of the writing process and translation process.... This is a poem I started working on in Oaxaca keying off the rhythm of the first line. (+first line should serve as a clue that I spent a lot of time in class working on imperative and subjunctive voices.) Mil gracias a Paty de ICO para sus direcciones y sugerencias. I added two more stanzas and reworked the first a bit in the past week or so, and turned it into what I think is a coherent poem, a pleasant read.
Primitivo -- sofisticado
¡canta!
que tu graznido
atraviese
vacilente
el micrófono, y los amplificadores
y las lágrimas
Me toca me bendice padre
no bendÃgasme, mi padre
aunque he pecado
Directions
(by The Modesto Kid/tr. Peter Conlay)
Listen; hear. Look: see:
What are you hearing, my friend? Hear me
screaming in my pit of terror?
Your face brings it all back, things I had forgotten:
tell me something, make me laugh, some lie
for me to remember instead of all that.
Confused man, almost blind, go look
for friendship or rejection
—seek some treatment—
Listen; hear. Look. See.
Caveman — sophisticate —
sing!
slowly your cawing
will seep
across
the mics, and the PA
and the tears
Touch me bless me o my father
Don't bless me father
Even though I've sinned
I uploaded a reading of the Spanish text to SoundCloud. That is a not-quite-final revision, I think the rhythm and clarity of it are really improved by the addition of "Oh" at the beginning of the seventh line. (If memory serves, this is an example of an edit to the original text prompted during the process of translation.)
Ellen and Sylvia and I spent half of the past month in the deep south of Mexico, in the city of Oaxaca. We took language classes in the mornings, at Instituto Cultural de Oaxaca, and over the course of the days acquired some familiarity with the language and with (a small corner of) one of the most beautiful cities I can imagine. (A city which would, by the way, be absolutely baffling to Winston Rowntree's anomalies spotter.)
Lots of pictures of the trip at Flicker; take a look.
(chain of YouTube "similar videos" associations that got me here: Movin' Day -> Walk Right In -> Ray Wylie Hubbard in concert at Tennessee State Museum. Jackpot!)
posted evening of September first, 2012: 1 response ➳ More posts about Music
Paul, and Silvanus, and Timotheus, unto the church of the Thessalonians which is in God the Father and in the Lord Jesus Christ: Grace be unto you, and peace, from God our Father, and the Lord Jesus Christ.
Marcus Borg of Huffington Post examines the possibilities for a new understanding of the Christian testament as an evolving document offered by a chronological reading of its books in the order that they were written, rather than the canonical order. Thanks for the link, Barbara!
posted morning of September first, 2012: Respond ➳ More posts about The Bible
Cómo pensar en idioma extranjera, cómo tomar revelación en los pensamientos y pasajes, palabras de luz y de apologia
cómo imaginarte que la tierra, la desierte debajo de tus pies sea planeta ajeno: que la estrella la que deseas a tà te sea patria a donde nunca mas te volvieras
This afternoon I finished my first round of revisions/corrections on a translation of Aaron Bady's essay The Autumn of the Patriarch: forgetting to live. Not the first L2 translation I have done but certainly the longest, and I think perhaps as well, I have approached this text with a little more systematic method, more "seriously", than previous ones.
Writing in Spanish is a peculiar, unfamiliar feeling for me, as I've said; but it does not hold a candle to revising material that I have written in Spanish. The denseness of the bifurcations of identity of the speaker that I have to go through to get from "me the translator" writing the words to "me the identification-with-the-author" playing the parts of Bady and of Bady's authorial voice to "me the reader" speaking the words to "me the listener/hearer" digesting the syntax and meaning, is quite remarkable. I am finding the multiple "me" voices in harmony with one another for much of the essay, which makes me think the translation is pretty good -- there are a few parts that seem clumsy and a few parts where I'm totally in the dark as to whether the Spanish rings true -- but I think I need to get in touch with some Spanish speakers to ask...
posted afternoon of August 5th, 2012: Respond ➳ More posts about Language
