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Saturday, December 14th, 2013
I was briefly in touch with Roberto Bolaño's literary agent over the idea of my publishing Teach me to dance... The answer as it turns out is unsurprisingly "No, the estate has other plans for his early poetry" -- oh well, it was fun anyway to have that contact.
posted morning of December 14th, 2013: 1 response
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Saturday, December 7th, 2013
Lots of fun at the Mountain Station practice session today! Our practice set list:
- Bethlehem Half-step
- Lonesome Nickel
- Talking Heads weirdness
- Meet Me in the Morning
- Birds in Perspex
- Been all around this world
- Cole Durhew
- I Can See Clearly Now/ Here Comes the Sun medley
- Why Don't We Do It in the Road jam
Let's listen to "Birds in Perspex"! It is my favorite Robyn Hitchcock song; this is the first time we've ever played it and I think we did a pretty good job.
posted evening of December 7th, 2013: Respond
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Monday, December second, 2013
posted evening of December second, 2013: Respond
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Another Infrarealist poem: this is by Guadalupe Ochoa, one of the few female Infrarealists.
The Domestication of Lightning
by Guadalupe Ochoa/ tr. Jeremy Osner
the lightning of touch announces
the downpour engendered in our embrace
fiery water of our bodies
posted morning of December second, 2013: 1 response
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Friday, November 29th, 2013
Here is a poem of Bolaño's from Pájaro de calor. (It is quoted in Hiram Barrios' fabulous essay on the infra poets, Visitando al infrarrealismo.)
Teach me to dance
by Roberto Bolaño/ tr. Jeremy Osner
to draw my fingers through the cottoncandy clouds
to stretch out my legs tangled up in your legs...
(translation redacted, write me if you'd like to see it)
posted evening of November 29th, 2013: 1 response
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Ampersan: this is Orlando Guillén's "ABCD", from Muchachos desnudos.
posted evening of November 29th, 2013: Respond
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Sunday, November 24th, 2013
(The pre-Modesto kid!)
posted afternoon of November 24th, 2013: Respond
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Once son ellos, once, ferozmente poetas:
Hernán, Roberto y Montané, chilenos;
el ecuatoriano Nieto Cadena;
de la patria de Sandino: Beltrán Morales;
el peruano Enrique Verástegui,
el también peruano Jorge Pimente;
Luis SuardÃaz, del primer teerritorio
libre en América: Cuba, cubanamente;
más tres meshicas que son, qué remedio,
Orlando Guillén, ¡impresente!,
Mario en el camino de Santiago
y Julián Gómez... once son, pues,
y, ¿se fijaron?, ni una sola hembrita,
con tan buenas, guapamente sabrosas que son
y que escriben como Afroditas que surgieran
no de un pantanoso taller literario
sino de un bárbaro océano de pantalones de mezclilla.
--EfraÃn Huerta
It's eleven, eleven, ferociously poets:
Hernán, Roberto and Montané from Chile;
Ecuadorian Nieto Cadena;
from the land of Sandino, Beltrán Morales;
Peruvian Enrique Verástegui,
and Peruvian too, Jorge Pimente;
Luis SuardÃaz, from the first-ever free
territory of the Americas: Cuba, Cubanly;
and there's three Meshicas, what else can I say,
Orlando Guillén, absent!,
Mario on the road to Santiago,
and Julián Gómez... so they're eleven,
and notice? Not a single chick,
for all the lovely, sweet things out there
that write like Aphrodites sprung
not from some fetid literary workshop
but from a savage ocean of blue jeans.
posted afternoon of November 24th, 2013: Respond
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Early poetry from Bolaño and comrade infras. I'm now reading and translating Hiram Barrios' fantastic essay on Infrarealism from Cuadrivio.net, Visitando al infrarrealismo.
posted morning of November 24th, 2013: Respond
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Sunday, November 17th, 2013
What a fantastic prompt this is, from Breytenbach's Intimate Stranger: "Poetry is fishing for memories in time." Reckon I'll go drop a line in the murky waters...
posted morning of November 17th, 2013: 1 response
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