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Music
I've had a pretty complex relationship with music over the years... ought to write about that sometime. Anyways: I listen to a lot of it, in genres like "rock" and "pop" and "folk", and play some of it, primarily in the genres "old-time" and "classical".
The two shows I downloaded last night are indeed great music; I am tentatively liking the 1996 show better than the 2008 show, which I have however not yet listened to all of.** If anyone would like a link to the 96* show files, drop me a line.
Only The Stones Remain (by the Soft Boys, I think only released as a single)
*Not that there are 96 of them, I mean they're from that year. **After listening to more: Yes, the 96 gig is the better -- It actually adds something to the music over what is published on the albums, where the 2008 show is beautiful but not in a much different or superior way from I Often Dream of Trains.
posted evening of February first, 2008: Respond ➳ More posts about Gig Notes
Haven't downloaded any Robyn concerts for a while now; but two new tapes became available today. One is of his gig the day before yesterday at Queen Elizabeth Hall in London; as soon as I read about it this morning I started fervently wishing for a tape of the show. And whaddaya know, half an hour later or so I get e-mail informing me of its availability. Quick on the heels of that message came another one, about a show from April '96 in Bilbao. Looking forward to listening to both.
Another opportunity for listening to Hitchcock: He'll be on Jools Holland's BBC show tomorrow night. Apparently I will be able to watch it on Fuse, though I'm not completely sure how that works yet.
Here is how to play the key of E on the lower strings of a viola or, mutatis mutandis, the key of B on the lower strings of a violin:
Note
Finger
String
E
3rd
C
F♯
4th
C
G♯
1st
G
A
2nd
G
B
3rd
G
C♯
4th
G
D♯
1st
D
E
2nd
D
Notice no open strings, which oh well.* The first and second fingers are only a half step apart and the first finger is only a half step above the open string, meaning your second finger lands where your first usually does.
Other keys this works for: B or F♯ on the upper strings of a viola, F♯ or C♯ on the upper strings of a violin. Ooh! and I just figured out you can start the scale on the fourth finger held in this position (i.e. where the high 3 would usually fall) and that opens up a bunch more keys.
*(Actually the open G string is the minor third, and open D is the minor 7th, so there is some room for using both of them -- last night we were playing "Cocaine Habit", which is in B, and I was getting a lot of use out of slurring D-D♯.)
Here are three very fine songs which employ the weeping willow tree as a central metaphor: "Bury me under the weeping willow", "After Midnight", "Big River". There must be many more. I have been listening to all three recently and I wonder what it is about "weeping willow" that makes it so easy to use -- obviously the "weeping", and also I just think it rolls off the tongue very smoothly. Possibly related, "So lonesome I could cry" starts out with a reference to a whippoorwill, and today when I sat down to make a list of "weeping willow" songs, "So lonesome I could cry" was at the top of the list until I backtracked and checked the lyric.
Hmm: Turns out once you start worrying about what the music is actually going to sound like, this recording stuff gets exponentially more tricky. I am not going to put any recordings up for a little while yet, until I've (a) really gotten the hang of the software and (b) reacquainted myself a bit more with my guitar. My idea is, guitar and possibly vocals on one take, viola and/or violin dubbed on top of that. The guitar will be better for keeping a beat than a click track. But my fingers are still getting used to the idea.
Note to anyone thinking about putting a small recording studio together: the "Creative Professional E-MU 0202" is not actually that much cheaper than the "Edirol UA-25" when you consider that you will need to buy a phantom power source and extra cords; and its two inputs are not identical like the Edirol's are.
Listening now to Unfunkked 3 and I gotta say, the instrumental part in Sugar Pie DeSanto's "Soulful Dress" is absolutely genius. Now watch out there, boys.
...Also: Maxayn's version of "Can't Always Get What You Want" is beautiful. Ellen says of the tape in general, "Listening to it just makes you feel better!"
posted afternoon of January 20th, 2008: Respond ➳ More posts about Mix tapes
Jerry raises in comments the legitimate point that "Polk-Salad Annie" by Tony Joe White is a fantastic song. Here is a video of White singing it in 1969.
This afternoon is the first meeting of the chamber music workshop for the spring. In the fall, we played Corelli's Concerto Grosso Opus 6 #7 -- and I've gotta say, I don't think too much of it as a piece of music. It is in 6 movements; and none of the movements individually nor the group of them considered together feels like a song to me. There are interesting bits and pieces but it seems like they could be rearranged in a different order or portions cut out, without materially affecting the experience of the piece. I find this to be true both of playing the concerto and of listening to it on tape.
This term we are playing Holst's Brook Green Suite and at least from listening to the tape, I think it is going to be a lot more fun -- its three movements taken together really form an organic whole that I can identify with. The pause between the second and third movements holds as much suspense as the pause in the opening of "The Yip Song". I'm looking forward to playing it.
I am playing viola this time! I'm very excited about that. I've been practicing the viola part to the first movement and it seems like it will be within my ability, though the reading is going to be a bit of a stretch. I'm having a hard time hearing the viola part on the tape -- I guess my ears are more used to listening to the melody.
(What I mean, I guess, is that the Holst is definitely something I would recommend to a friend for listening; the Corelli, not. But Mike tells me other songs by Corelli are very good, so I should reserve judgement on the composer.)
