At first I didn't quite know what I would do with the book, other than read it over and over again. My distrust of history then was still strong, and I wanted to concentrate on the story for its own sake, rather than on the manuscript's scientific, cultural, anthropological, or 'historical' value. I was drawn to the author himself.
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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
Most people who will be reading this book will know who Brion is without being told every time the name appears that it is Brion [Gysin] and likewise that it is [Maurice] Girodias...
Even if that were not the case (and to be sure there are more obscure references that you clarify), the clarification could easily be done in a less intrusive manner than the bracketed insertions you use throughout, which tend to wreak havoc with the slack meter and the smooth readability of Burroughs' composition.
Other than that, on the other hand, it is a wonderful read, and a great resource to have on hand; so thanks!
It seems that M. was hurrying home after swallowing his mescaline tablet with hot tea in a cafe -- too cheap to support a hot plate you dig -- and he met B in the market and he had met B before but never seen him as hardly anyone does see him which is why he is known as El Hombre Invisible -- So B. said "Ah Monsieur M., Sit down and have a coffee and watch the passing parade...." and M. shook him off saying: "No! No! I must go home and see my visions" and he rushed home and closed the door and bolted it and drew the curtains and turned out the lights and got into bed and closed his eyes and there was Mr. B. and Mr. M. said: "What are you doing here in my vision?"
Don't Care didn't care. Reading and thinking about Sendak in the last couple of days (and particularly this post from Erica Friedman at the Hooded Utilitarian) have made me remember this post from last summer. (Read the whole thing.) What a fantastic nursery rhyme!
posted evening of May 9th, 2012: Respond ➳ More posts about Readings
This weekend I am noticing punch lines in my reading. I read two stories by David Foster Wallace -- "Mister Squishy" which I found to be beautiful, engaging writing but lacking in punch lines, and "The Soul is not a Smithy", which is my new favorite DFW and which abounds in brilliant punch lines; now am reading and enjoying a novel by Julian Barnes called The Sense of an Ending, which actually, coincidentally, has a fair bit in common with "The Soul is not a Smithy", at least on first impressions. I got a good laugh out of this punch line, delivered as Barnes' narrator is recounting his youthful efforts to find a girlfriend:
Some girls allowed more: you heard of those who went in for mutual masturbation, others who permitted "full sex,"as it was known. You couldn't appreciate the gravity of that "full" unless you'd had a lot of the half-empty kind.
I got a nice, impressionistic photo in the course of this morning's bike ride (up to West Orange, down to Millburn, up through the Reservation and meet Ellen on top of South Mountain) -- a street light on South Orange Ave. under the cloudy sky.
posted morning of May 5th, 2012: Respond ➳ More posts about Cycling
I got word yesterday that Metamorphoses, the journal of literary translation at Smith College, accepted my translation of Slavko Zupcic's story, "Tescucho, Italia" -- nice! This is the first piece that I have had accepted after submitting it to a couple of magazines and being rejected. Glad I kept sending it out. It will appear in the fall 2013 issue of Metamorphoses.
Latest addition to my repertory is "Billy in the Lowground," which I've been wanting to learn ever since I saw the Ether Frolic Mob playing it. Here are two takes:
Here, in no particular order, are the songs I know well enough to think of them as my repertory (excluding numerous songs like "Crawdad Hole" and "Uncle Joe, Uncle Joe" which, while I can play a pretty nice instrumental version, I think of as songs to sing. These are just the songs that I identify primarily as fiddle tunes.) Criteria for this list is, I have to know the melody by heart (after maybe a glance at the music) and be able to play it easily with improvisation over the melody and be able to cover up for myself ifwhen I make a mistake.
The Red-Haired Boy
The Sailor's Hornipe
The Devil's Dream
Bill Cheetham
The Halting March
Harvest Home
The Boys of Bluehill
The Growling Old Man and the Carping Old Woman
The Road to Lisdoonvarna
The Irish Washerwoman
The Swallowtail Jig
East Tennessee Blues
Billy in the Lowground
Soldier's Joy
Whiskey Before Breakfast
The Modesto Kid
Jeremy's Breakdown
Drowsy Maggie
Bonaparte's Retreate/ Bonaparte Crossing the Rhine/ Bonaparte Crossing the Rocky Mountains
Two new songs to learn, that I printed out music for today: "St. Anne's Reel" and "Ragtime Annie".
posted morning of April 29th, 2012: Respond ➳ More posts about Fiddling
