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Finding a way to talk about the reading experience is, I've realised, the greatest pleasure of writing; where it ends is of no importance.

Stephen Mitchelmore


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🦋 Walking through a gallery

My resolution not to look for an (ill-defined) "normal novel-reading experience" in Inherent Vice is bearing fruit I think, at least in the sense that I'm enjoying the book a lot more. This reading is feeling sort of like walking through a large art gallery looking at a master's paintings -- short flashes of brilliance ranging from less than a page to a few pages -- and not dwelling too much on the meaning of each painting or on the linking narrative arc, just getting a sense of the exhibition's atmosphere.

It is fun and liberating to approach the reading without telling myself that I have to "appreciate" it -- it's allowing me to get a lot of pleasure out of some of the jokes and phrasings and constructions of scene. I am not following the story-line very closely however. I'm a little surprised by this because of all the build-up this novel received as (approximately) Pynchon-lite, a quick summer beach read; I think in fact, it requires a lot of focus.

Hm -- something sounds wrong about this argument -- I am saying I'm enjoying the book more by reading it in a less focussed way, and then that it requires a lot of focus. I think what I mean to say is, to get the full force of this book is going to require a more focussed second read, after I familiarize myself with the atmosphere of the book.

posted morning of Sunday, August 16th, 2009
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