The READIN Family Album
Me and Sylvia, smiling for the camera (August 2005)

READIN

Jeremy's journal

Dream is not a revelation. If a dream affords the dreamer some light on himself, it is not the person with closed eyes who makes the discovery but the person with open eyes lucid enough to fit thoughts together. Dream -- a scintillating mirage surrounded by shadows -- is essentially poetry.

Michel Leiris


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Streets of Braddock
by The Modesto Kid

everything capo 8
(voicing of initial "walk" is a high A)

You're D walking your Am dog through the D streets of Am Braddock,
a D car door Am slams and she Em growls
and she's Am7 nervous Em now, she's pulling D you to the Am park,
I guess you G got an ap- Am -pointment with C7 me there after Em dark.

Somebody's D headlight Am shines through the D evening Am light
streetlights D mellow the Am cast of the Em evening Em7 shade
and you're Am7 nervous Em now, to think of D what may Am come
after your G lame prevari- Am -cations are C7 done and your plans are Em made.

You're walking D up Flood's Am Hill, the shade's D deeper Am now
the D trees are ragged Am shadows on the Em night's dark Em7 cowl
you hear the Am7 sound of a Em train, east- D -bound, running Am easy,
ci- G -cadas are Am buzzing at C7 twilight, and a distant Em owl.

solo, improvise

You're D walking your Am dog through the D streets of Am Braddock,
she D tugs at the Am leash and she Em7 barks
at the Am7 strange night-time Em shapes all a- D -round in the Am park,
I guess you G got an ap- Am -pointment with C7 (let ring) me here after dark.

posted this afternoon: Respond

Wednesday the 14th

Alberdi

"SARGENTO: (...) ¡Saludad las revoluciones anónimas: ellas son los verdaderos triunfos de la libertad!"

SARGENTO:

No, señors: I am not great, I am not glorious; ...: a toast to the anonymous revolutions, for they are the true triumphs of liberty!

Juan Bautista Alberdi: el gigante amapolas y formidables enemigos: o sea fastos dramaticos de una guerra memorable.
Buenos Aires, Tinglado, 1954

posted evening of the 14th: Respond

Sunday the 11th

cementerio de San José, Granada

cementerio de San José

The earth there is a deep, raw red, and the olive trees that punctuate it are green and gray and very old. The cemetery wall is high and long, the same color as the earth, and it is crowned with rough clay tiles.
-- Jon Lee Anderson

aquí te fusilaron García Lorca
aquí sobre el rojo crudo de la tierra
se ha derramado tu sangre rojo cruda y
caliente

posted afternoon of the 11th: Respond

Guía de Perplejos, pasajes



posted morning of the 11th: Respond
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Thursday the first

Dad and



Yours truly in my father's arms, 1971

posted evening of the first: 1 response
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mañana es otro dia

mañana es otro día
por J. Osner


nos unamos los manos:
nos giremos hacia el este
esperando al sol que teñirán
de rosa sus rayos el cielo negro;
nos dejarán saber
que empieza el nuevo día,
ese día hasta que postergábamos
todos los deseos más queridos.
agárrame a mí ahora la mano
y dime nuevamente, muévete:
nos ya estamos quemando
debajo del sol del mediodía.

posted evening of the first: Respond
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Thursday, December 25th, 2014

Christmas wishes

May all your tidings be explicitly comfortable and feasibly joyous; may all your glory be in the highest.

posted morning of December 25th, 2014: Respond
➳ More posts about Thomas Pynchon

Tuesday, December 16th, 2014

Go, little buddies, go!

posted evening of December 16th, 2014: Respond

Saturday, December 13th, 2014

Genesis

Luminiferous Genesis
by J Osner

The first day was water. On the second day
water created earth.
On the third day mud

breathed air. On the fourth day creation blazed, and said
that it was good. Muddy reality,
eternally drying out in the heat

of the moment.

posted morning of December 13th, 2014: Respond
➳ More posts about Writing Projects

Saturday, December 6th, 2014


Twilight Zone - Once Upon a Time - Buster Keaton by pourlidasnstavros

posted afternoon of December 6th, 2014: Respond

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