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So man became, by way of his passage through the cave, the dreaming animal.

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🦋 Pendulum

Some thoughts about using a metronome when practicing music:

  • I have to devote a fair amount of attention to the metronome, to really benefit from its clicking -- possibly not as much attention as I need to pay to a musician I am jamming with, but it is unexpected -- my impulse is to think well it's a machine, let it click away on its own.
  • If I do pay attention and really think about where the click is supposed to come in relation to the notes I'm playing, it makes me sound a lot better -- my rhythm can range from fairly sloppy to quite crisp, but to be crisp I need to be thinking about it. The main purpose I see in using the metronome is learning how to think about that.
  • So that's what I'm hoping will carry over into my jamming with other musicians, is the understanding of precisely where my notes should start and end in relationship to the song's meter.

This evening I played five songs with the metronome, moving progressively to slower songs. "Whisky Before Breakfast" was at 160; "Bonaparte Crossing the Rhine" at 140; "Old Joe Clark" and "Napoleon Crossing the Rocky Mountains" at 120; and "My Grandfather's Clock" at 108. I have never played that last one before, at least not as a serious song -- just sort of a clichéed musical joke to fill in space at a jam. But it's a song where rhythm is really vital -- the ticking of the clock is the backbone of the song -- and it actually has a pretty nice sound. The others I have been playing a lot of over the past few weeks, I'm actually working on developing a repertoire! Had been meaning to work on that for a while now...

posted evening of Saturday, December 5th, 2009
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