READIN

Monday, February 23rd, 2004

Don Quixote, Chapter XLIV: The web of coincidences in the last section of Part I was really threatening to lose my interest... But somehow it has pulled me back in over the last two chapters.

posted evening of February 23rd, 2004: Respond
➳ More posts about Don Quixote

Ellen and Sylvia are playing Cinderella -- Ellen is Cinderella, Sylvia is the Fairy Godmother.

posted afternoon of February 23rd, 2004: Respond
➳ More posts about Sylvia

Saturday, February 21st, 2004

🦋 Drop-D Tuning

I've been meaning for a while to post a note about drop-D guitar tuning. If you aspire to play finger-style blues guitar, I think this tuning is one of the first things you should find out about. (The other first thing you should find out about, is to get some recordings of Mississippi John Hurt, a master of the genre and IMO the most accessible of the Delta blues guitarists.) By finger-style blues I mean basically, picking alternating bass notes with your thumb or a thumb pick and a melody line with your first, first and second, or first through third fingers.

Drop-D is the simplest of the alternate tunings, all you do is tune the top string down a whole step. All the other strings have their standard pitch. You don't need to learn much in the way of new fingerings, but you suddenly have a lot more freedom. Here are the first-position chords (I play in first position just about all the time):

C

No difference.

D

No difference, except that the top string is your root. In standard tuning I am usually fingering an F# on the top string with my thumb, now I can just leave it open and pick an alternating bass between the top string and the third string.

E

Hold down G# on the fourth string with your first finger and E on the third string with your second finger. Leave the second string open (and never play it) and hold down E on the top string with your thumb. Now you can pick an alternating bass between the top string and third string, and two fingers are available for melody stuff.

F

Barre the bottom two strings on the first fret with your first finger. Hold down A on the fourth string with your second finger and F on the third string with your third finger. Leave the second string open (and never play it) and hold down F on the top string with your thumb. Now you can pick an alternating bass between the top string and third string, and one finger is available for melody stuff. (Note that you can move this barre chord up and down the fingerboard as you desire.)

G

G is where things get wild -- All you need to do for G is hold down the fifth fret of the top string with your thumb, all four fingers are available for melody stuff. You're pretty free to roam between the third and sixth frets of the treble strings, and throw in open strings (except for the bottom string) as desired.

A

No difference.

B

No difference. (Actually I usually finger B7 in first position, you can do either one.)

I discovered this tuning while working on "Stagger Lee", since then I have used it on a lot of other songs in the key of D -- lately I noticed it would work well for songs in G too, and yesterday I worked out "Lay me a Pallet on your Floor", which is in C and sounds very nice indeed in this tuning. And the other day I tried playing "Prodigal Son" (in E) in drop-D and though it took a little while to get the hang of it (partly because I've been playing that song for such a long time in standard tuning), it ended up sounding really nice too.

posted afternoon of February 21st, 2004: Respond
➳ More posts about Guitar

🦋 Career opportunities

Sylvia, this morning:

When I grow up, I want to be a teacher, and study dinosaurs, and a vet, and a people doctor, a-and, that's all.

Context is that Ellen was reading to her from Jamal's Busy Day, in which Jamal describes his parents' jobs.

posted morning of February 21st, 2004: Respond

Wednesday, February 18th, 2004

Don Quixote, Chapter XXXVI: A weird change of gears -- I expect to continue on with the story of "The Queen of Micomicona" but instead I find myself suddenly returned to the story of Cardenio and Don Fernando... it is testament to Cervantes' skill as a story teller that I was able to get back up to speed on this lapsed story very quickly. The way the stories are interleaved together is what I am finding most memorable about this book -- Cervantes can jump with little effort from one to another, and there are always little reminders planted of the stories that are currently in the background.

posted evening of February 18th, 2004: Respond
➳ More posts about Miguel de Cervantes

Monday, February 16th, 2004

Don Quixote, Chapter XXXVI: I just finished the Tale of Reckless Curiosity and found myself won over to its presence in the book. Although it distracted me from the main story of Don Quixote, it was itself a good story and I got interested in the characters almost despite myself. I was glad Cervantes interrupted the action of the enclosed story midway through to talk about the main story -- that kept it in my mind.

posted evening of February 16th, 2004: Respond
➳ More posts about Readings

Sunday, February 15th, 2004

🦋 Lesson learned

You'd think it would be straightforward enough; but:

A useful household tip

When moving a ladder, make sure no hammers are balanced on the top rung.

And,

Corollary #1

Don't balance hammers on top rungs of ladders.

posted morning of February 15th, 2004: Respond
➳ More posts about Toolbox

Saturday, February 14th, 2004

We watched "Sunshine State" this evening -- Ellen was not into it and bugged out midway through, but I was pretty captivated. I really enjoyed the composition of the movie, had the nice experience of second-guessing the director and being right a couple of times. I get really interested by the topic of zoning and development, and here it was mixed with a really gripping plot and good acting. Complaints: the old men playing golf did not add anything to the movie and did not feel like an organic part of it; Marley's drama queen mother seemed silly by and large; Desiree and her mother did not really seem to be acting in the same scene when they were alone together, like they were each reciting their lines in front of a camera. (But these two -- Angela Bassett and Mary Alice -- were such good actors that the performance was still impressive.)

posted evening of February 14th, 2004: Respond

Here are some things Sylvia has been doing lately:

A dialog between the cow and the wolf: as scripted by Sylvia

WOLF: Why did you run away?

COW: I was trying to find my mommy.

WOLF: Why did you stop?

COW: There was a scary monster, and it was...scary.

WOLF: When I was little I ran away from my mom one time and saw a scary monster. That happens sometimes.

Acting like dinosaurs

Sylvia is way into dinosaurs. Today we were reading a book with pictures and descriptions of various ones -- after each sentence she would repeat the sentence but in the first person, and act out the attributes in question. Apparently all dinosaurs eat Lola (our dog) -- sometimes she is another dinosaur, sometimes she is a plant, sometimes a dinosaur egg or an insect.

posted evening of February 14th, 2004: Respond

Friday, February 13th, 2004

Don Quixote -- I am bogging down slightly on Chapter XXXIII, the story-within-a-story about Anselmo and Lotario. A footnote at the end of the previous chapter says Cervantes was criticized for including this story as it detracted from the flow and pacing of the story; I'm with the critics. This story reminds me a bit of the stories-within-a-story of the Decameron, which I found quite difficult to get through and not really that engaging. (Not to criticize Boccaccio -- people with far better taste than I have think he's the bee's knees -- I just had a hard time with it. Perhaps when I am older and more patient I will return to it and enjoy it.)

posted evening of February 13th, 2004: Respond

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