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READIN
READIN started out as a place for me
to keep track of what I am reading, and to learn (slowly, slowly)
how to design a web site.
There has been some mission drift
here and there, but in general that's still what it is. Some of
the main things I write about here are
reading books,
listening to (and playing) music, and
watching the movies. Also I write about the
work I do with my hands and with my head; and of course about bringing up Sylvia.
The site is a bit of a work in progress. New features will come on-line now and then; and you will occasionally get error messages in place of the blog, for the forseeable future. Cut me some slack, I'm just doing it for fun! And if you see an error message you think I should know about, please drop me a line. READIN source code is PHP and CSS, and available on request, in case you want to see how it works.
See my reading list for what I'm interested in this year.
READIN has been visited approximately 236,737 times since October, 2007.
When I am watching Aguirre, the Wrath of God I notice that I am not thinking at all about what might be going on off-camera -- the focus is so sharply on whichever characters are on screen at any moment, they are obviously the most important thing in the movie.
I figured out how to use the audio recorder on my computer; so here is the melody I came up with last night. Things it would benefit from: rhythm instrument like guitar/piano/drums; a bridge; lyrics; harmony. Still I think it is pretty nice.
posted afternoon of December first, 2007: 2 responses ➳ More posts about Fiddling
...and random thoughts while watching Aguirre, the Wrath of God.
I wonder if anyone has made note of how strongly (if memory serves) Richard O'Brian's character in The Rocky Horror Picture Show resembles Klaus Kinski. Wonder if that was a conscious choice by the Rocky Horror people. Seriously, when the camera came in close on Aguirre standing next to the river, I thought Oh my God, it's Riff Raff!
Aguirre's first appearance in the movie, talking to (I think?) Pizarro, they reminded me of Tintin and Captain Haddock a little bit, which was amusing.
This movie has the dreamlike atmosphere that pervades some of my very favorite works of art, like e.g. Gravity's Rainbow -- indeed I think this is a movie that could have been very competently produced by some of Pynchon's characters.
The brilliant, brilliant title sequence makes me think of nothing so much as Escher's paintings. I keep thinking Wow, I didn't know you could do that with film.
The soundtrack might be the best movie soundtrack ever. At least the best in some subcategory of motion picture soundtracks. From the church music at the beginning, to the piper, to Perucho's threatening hums and hisses... It is in the substance of the film, it complements and enhances the imagery. Perfect.
'Minimalist' is, it seems to me, the best category of foreign language film, the most fun for me to watch because there is some chance I will catch the dialogue. And indeed, here I find I am getting a lot of it (with help from the subtitles).
One thing that really turned me on about this movie was the mix of different influences and realities -- like the characters were Spanish but speaking German, they were dressed in period costume but their makeup and hair and general bearing seemed much more contemporary. Etcetera.
OK, Portia has won my heart. This scene is marvelous -- I am finding it really consuming to read, it has a command over my attention that the first half of the play did not, really -- I am suspending disbelief in the strangeness of the events recounted, hanging on the edge of my chair thinking What has Portia got up her sleeve and Oh, so that's it! when she plays her card.
The trial scene up to Portia's entrance is just beautiful poetry. Check this out:
SHYLOCK
...
So I can give no reason, nor will I not,
More than a lodged hate and a certain loathing
That I bear Antonio, that I pursue
A losing suit against him. Are you answered?
BASSANIO
There is no answer, thou unfeeling man,
To excuse the current of thy cruelty.
SHYLOCK
I am not bound to please thee with my answers.
BASSANIO
Do all men kill the things they do not love?
SHYLOCK
Hates any man the thing he would not kill?
BASSANIO
Every offense is not a hate at first.
SHYLOCK
What, would thou have a serpent sting thee twice?
ANTONIO
I pray you, think you question with the Jew.
You may as well go stand upon the beach,
And bid the main flood bate his usual height;
You may as well use question with the wolf,
Why he hath made the ewe bleat for the lamb;
You may as well forbid the mountain pines
To wag their high tops and to make no noise
When they are fretten with the gusts of heaven;
...
I'm seeing lots of possibly meaningless parallels to other works. Right now I'm thinking Wow, this is a great trial scene, I really liked the trial scene in Aguirre last night, I wonder if there's any connection... and Shylock begging the court to take his life with his property is reminding me of "Lady Waters and the Hooded One" -- but I don't think either of these has enough substance to make the basis for an actual thought...
This is a fantastic movie that anyone whose æsthetic tastes are similar to mine should hurry down to the video shop and take a look at it. This movie is exquisitely good like an elegant meal. I'll try to write more about it later when I've had a little more time to reflect upon it.
posted evening of November 30th, 2007: Respond ➳ More posts about The Movies
I was happy tonight to write an actual piece of music down -- like I am getting notation enough that I can write in it as well as read. Mom helped me out with understanding the rhythm. I will post a picture of it once I learn how to get notation in my computer. (I may even post a sound file of it if I can figure out how to get sound into my computer.) Sort of a happy syncopated fiddle tune -- I wrote about 4 measures but they are basis for this improvising tune that one can play for a long time without tiring of it.
posted evening of November 30th, 2007: Respond ➳ More posts about Songs
Hmm, Sharpie marker isn't giving exactly the effect I was thinking about. It's a step in the right direction though. Also need to learn how to edit GIFs so they are properly transparent.
After I was finished reading to Sylvia the other night, I put down Harriet the Spy thinking, the class differences stuff that seemed so important early in the book has kind of faded. But I don't think it has for Sylvia as she is listening to the story, as witness tonight when Harriet went over to Janie's house and was let in by the maid, Sylvia asks, "So... Harriet and Janie are both rich, right?" And she was very interested in the subsequent scene, where Sport's father is excited about having sold his book.
posted evening of November 28th, 2007: Respond ➳ More posts about Sylvia
I can't get past thinking, every time I read about the contest which Portia's deceased father has designed to screen her suitors, that it is a lame contest. (Leaving aside the misogyny of it -- it should go without saying that the father dictating, from beyond the grave yet, who should marry his daughter is an atrocious idea.) 30% of petitioners for the fair Portia's hand will marry her without even a thought in their head -- and given that the contest seems designed to weed out the greedy and insufficiently thoughtful, that seems like a major bug. There seem to have been a goodly number of suitors around prior to the beginning of the play, so Shakespeare wants us to believe that everyone chose Gold or Silver, like Morocco and Aragon, and that only a "wise man" (if I'm understanding correctly that wisdom is the criterion) can possibly choose Lead. I'm not quite buying that.
Also -- I want to hear some reverse psychology from the guys as they make their deliberations. "Hm, in very sooth I bet her dad/ Would think that only dumbasses would choose/ The lead -- but hark! The silver's rilly cool/ I wonder what his thinking was in that/..." or something.
posted evening of November 28th, 2007: Respond ➳ More posts about Shakespeare
