READIN

Wednesday, March 18th, 2009

At Orbis Quintus today, I found Maureen Freely's new Washington Post piece on translating Pamuk, on trying "to recreate the narrative trance that makes the novel so hypnotic in Turkish." It's a lovely essay, a look into the translator's creative experience -- at the "shadow novelist [who is] present in every translator. Though she must serve the text, she can recreate the author's voice only if she gets so close to the heart of the novel that she can convince herself it briefly answers to hers." (Now I'm just dying to hear from Gün and from Göknar...)

At the same page is an audio clip of a conversation between Freely and the Post's writer-at-large Marie Arana.

posted evening of March 18th, 2009: Respond
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Tuesday, March 17th, 2009

🦋 Playlist

Thanks Jer for sending me this link! Robyn Hitchcock posted a playlist on Rhapsody a couple of years ago (October '06), which I didn't know about until today. It's got a nice mix of old and new, stuff I know and stuff I've heard of and stuff I have not.

Robyn's Picks

1. "Wang Dang Doodle," by Howlin' Wolf
2. "Say Man," by Bo Diddley
3. "Champagne Supernova," by Oasis
4. "Lucifer Sam," by Pink Floyd
5. "Finest Worksong," by R.E.M.
6. "In Liverpool," by Suzanne Vega
7. "Look At Miss Ohio," by Gillian Welch
8. "Happiness," by Grant Lee Buffalo
9. "Slow Dog," by Belly
10. "God," by John Lennon
11. "The Red Telephone," by Love
12. "Kicks," by Lou Reed
13. "The Lark in the Morning," by Steeleye Span
14. "Station To Station," by David Bowie
15. "To Turn You On," by Roxy Music
16. "Lately I've Let Things Slide," by Nick Lowe

posted evening of March 17th, 2009: Respond
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Sunday, March 15th, 2009

🦋 Sad News

Richie Shulberg (aka Citizen Kafka) passed away at home last night. I'm really sorry to hear about this, meeting him always lifted my spirits. Richie is the guy who got me interested in old-time music and bluegrass -- I first met him in the late 90's when he was leading a weekly jam at a bar in Chinatown, and I associate the months I attended this jam session with the beginning of my developing a musical ear and a musical style. Every time I have run into him since then he's asked after my music and my life, and spent some time talking with me -- my memory of him is of somebody who always took an interest. He will be missed.

Here are Richie (in the yellow shirt) and the Wretched Refuse String Band, playing Jalopy in Brooklyn last spring:

posted afternoon of March 15th, 2009: Respond

🦋 The judgement to tell the false from the true

I've been meaning to post this passage from The Amber Spyglass, which I found deeply moving and which I think sums up the entire trilogy in a couple of paragraphs. I don't have much to say about it beyond that, so will just quote. (Note: if you are reading or planning to read the series and do not like spoilers, don't read this entry.) The setting is the world of the dead; Lyra and Will are planning to create an opening which will allow the ghosts of the dead to escape into the world of the living, that they might be annihilated, allowed truly to die.

Long quote below the fold.

posted morning of March 15th, 2009: 5 responses
➳ More posts about His Dark Materials

🦋 Tolkien's voice

How I come to be reading The Hobbit now: Sylvia and I are pretty close to finishing up The Amber Spyglass now; I was casting about for what book to read next and realized that His Dark Materials is reminding me in some key ways of Tolkien's trilogy. That made me think about how much I had loved The Hobbit as a kid -- if memory serves I loved it much more deeply than the trilogy, it seems like I read The Lord of the Rings less whole-heartedly, with an eye mostly toward keeping up with my D&D-enthusiast friends... Anways -- so I asked Sylvia if she would like to read this next, she said she would (unsurprising -- she's really getting into fantasy novels nowadays), and I thought I would look through it beforehand.

And I'm falling in love all over again. I had forgotten how attractively witty and cultured Tolkien's narrative voice is -- it reminds me a lot of Grahame's voice in The Wind in the Willows. I wonder if this is true of the trilogy as well -- I expect it is, and suddenly I'm looking forward to rereading those books, and thinking I might get a lot more out of them than I did back in my childhood.

posted morning of March 15th, 2009: 4 responses
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Friday, March 13th, 2009

🦋 The Hobbit

My memory of reading The Hobbit (which happened about 30 years ago) has always been a very positive one, of being into the book in a pre-analytical way and just loving it, and I was always scared to pick it up to reread for fear that quality of the experience would be gone. I am happy to report (a few chapters in) that the quality is not only present but is augmented by seeing the page with a little more experienced (hopefully wiser but certainly more familiar with the world) eye.

Don't miss Tove Jansson's illustrations for a Swedish edition of The Hobbit. (And it just occurs to me, oh yeah! Hobbits and Moomins have certain distinct similarities! Also Hobbits and Hemulens.)

posted evening of March 13th, 2009: Respond
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Thursday, March 12th, 2009

🦋 Hark! A Vagrant

I'm still on vacation from blogging; but this is too good of news to pass up: Kate Beaton's new web site is open for business! And lovely to look upon.

Speaking of comix: Elan Rodger Trinidad has a hilarious Watchmen spoof at io9; be sure to follow the link there to Seanbaby's Hostess™ nostalgia.

posted evening of March 12th, 2009: Respond
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Tuesday, March 10th, 2009

🦋 Vacation...

Hm, this is looking like a quiet time for the site. I'm not sure why exactly. But I think I will take a couple of days off.

posted morning of March 10th, 2009: Respond
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Sunday, March 8th, 2009

🦋 The Eighth of March

Saramago posts today about International Women's Day:

I've just been watching the TV news, demonstrations by women all over the world, and I'm asking myself one more time what disgraceful world this is, where half the population still has to take to the streets to demand what should be obvious to everyone...

They say that my greatest characters are women, and I believe this is correct. At times I think the women whom I've described are suggestions which I myself would like to follow. Perhaps they are just models, perhaps they do not exist, but one thing I am sure of: with them, chaos could never have established itself in this world, because they have always known the scale of the human being.

I'm not completely sure about the translation in that last paragraph; it sounds pretty stilted the way I have written it. Possibly this is true of the original as well -- "chaos could never have established itself in this world" strikes me as a very strange thing to say, when the world is fundamentally chaotic -- and I don't see Saramago's women as imposers of order on natural chaos. This may be a clue into Saramago's understanding of the universe; I could see a reading of The Stone Raft in which the world is understood as an inherently ordered structure, and the characters (male and female, but particularly Joana) are keyed in to this natural order in opposition to humanity's chaos. Alternately I could be mistranslating, always a possibility.

posted evening of March 8th, 2009: Respond
➳ More posts about Saramago's Notebook

Friday, March 6th, 2009

Au Hasard Balthazar is seeming to me like just exactly the ideal that a movie ought to approach -- i.e. that an item should be called a "movie" or denied membership in this class, according to whether it is similar to this Movie or unlike it. Is seeming like what Bergman would be like if I liked his movies better. There is an excellent trailer you can watch by clicking on the still.

Is making me wonder, also, what kind of literature there is on the subject of composing subtitles for a film. Some information and reflections in this LanguageHat thread from last summer.

posted evening of March 6th, 2009: Respond
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